Presence' writer David Koepp on the devastating reveal of who is the ghost in the house, working with Steven Soderbergh and returning to 'Jurassic World.'

The "Presence" director/editor/cinematographer/camera operator goes deep on how he cracked shooting an entire film from a ghost's POV.

Koepp's writing is thorny and cuts deceptively deep, like a scrape that looks like a surface wound until it won’t stop bleeding.

Presence may not be your typical horror movie, but that doesn't mean it won't leave you a bit shaken up.

The entire film is shot entirely from the ghost's point of view, the audience haunting a family that has recently moved into a New Jersey home, not realizing that something was already living there. Critic Sean Burns says it's a great gimmick,

"I always operate the camera, but this was next level," the director says. "I’m really in there with the actors."

Steven Soderbergh often applies his brainy, process-based approach to new genres; with Presence, he tries his hand at ghost-story horror.

Koepp expanded on this: "In the last 10 to 15 years, horror has really been prominent and changed. Gore and jump scares are huge. When people hear horror, they think of that. When

In 1989, both Steven Soderbergh and "Presence" screenwriter David Koepp had movies at the Sundance Film Festival. While the two didn't meet that year — Koepp was not in attendance for his "Bad Influence,