An rectangular opaque watercolor painting depicting a standing woman who is dressed in a long white dress and veil behind her head. The woman stands in the center and is looking down at a bush with ...

On the side of the coin on the left is the head of a man facing right, wearing the skin from an elephant's head, trunk turned up and tusks protruding out, small dots surround the border. The other ...

The woman is drawn in the center of the paper facing us. She’s nude from the waist up, her torso bends slightly to the right while her face turns left, her right arm is out with palm up and higher ...

A somber monochrome watercolor of mayhem and dissent at sea. The depiction of a sinking raft, with one furled and one billowing sail, stretches from one side of the drawing to the other. Great, curved ...

A light-skinned, gray haired man faces the viewer, visible from the chest up. He has long gray hair that is tied back with a black ribbon. His eyes are blue, and his complexion is pink, especially ...

The vessel has a shallow rim and symmetrical handles which are black and in red and black there are geometric floral and swirling designs on the neck and body of the vessel. In black on a red ground ...

A floral vase containing large round cluster of small rust-colored flowers, reminiscent of hydrangeas, with a few green leaves poking out on left and right, rests on the edge of a table. The vase is ...

With her large body and frontal pose, the Virgin here functions as a throne for Christ, a visual expression of her status as the Mother of God and source of wisdom. While the symmetry and rigid ...

Dressed in a billowing white satin dress and small matching pumps, a woman at center looks back behind her, running along a path, past flowers and tall grasses on a hilltop under bright blue skies..

Under a bower of twining flowered branches, a woman and a man sit naked, side by side in a garden, sharing a kiss. A long, pale orange serpent is coiled along the ground at their feet, its head rising ...

Hatoum, a Palestinian born in Beirut, uses everyday objects and personal artifacts to examine the effects of exile and alienation. For this work she collected strands of her own hair and painstakingly ...

An employee at the Ministry of Finance, Victor Chocquet (1821–1891) met Degas in 1875, and by the second impressionist exhibition, in 1876, had become an avid supporter of the progressive artistic ...