New York Classical Review3d
Love is all around Philharmonic, from Pintscher to Mendelssohn to Schoenberg
The overarching theme of Thursday’s intriguing program of the New York Philharmonic, conducted by Matthias Pintscher, was ...
New York Classical Review9d
Ólafsson’s spellbinding Brahms highlights Honeck’s Philharmonic program
This week’s New York Philharmonic program is built on classics—Beethoven’s Symphony No. 7 and Brahms’ Piano Concerto No.
New York Classical Review8d
Violinist Avsharian’s unique concert mixes music with brainwave education
Shostakovich and light, entertaining music are not generally synonymous, but the Soviet composer wrote film music to pay the ...
New York Classical Review4d
Despite distractions, Tepfer and Trio Fadolin find the Feldman groove
Morton Feldman’s Piano, Violin, Viola, Cello. was performed by Dan Tepfer and Trio Fadolin Wednesday night at the New York ...
New York Classical Review13d
Superb singing in “Rigoletto” highlights return of Met’s Weimar Verdi
With his dark, resonant bass voice and sinister demeanor, Soloman Howard made an impact as Sparafucile. In his first ...
New York Classical Review20d
Tesori’s “Grounded” scores a dark triumph in Met season opener
Emily D’Angelo stars as Jess in Jeanine Tesori’s Grounded at the Metropolitan Opera. Photo: Ken Howard / Met Opera “If Odysseus came home every day,” sings fighter pilot Jess to her husband in Jeanine ...
New York Classical Review15d
Met’s “Tales of Hoffmann” offers dark Romanticism and a feast of female voices
Benjamin Bernheim with admirers in the title role of Offenbach’s Les Contes d’Hoffmann at the Metropolitan Opera. Photo: Karen Almond / Met Opera E.T.A. Hoffmann, spinner of bizarre tales in the early ...
New York Classical Review1mon
Philharmonic opens season with a sentimental journey for MTT, Ax
Emanuel Ax performed Mozart’s Piano Concerto No. 14 with Michael Tilson Thomas conducting the New York Philharmonic Thursday night at David Geffen Hall. Photo: Chris Lee It seems to have become ...